For our retail clients who order a dress or suit, our whole process seems simple and straight-forward. They tell us a bit about what they are looking for and we create a completely unique garment that fits them well.
For other dressmakers and industry professionals, this is a bit more confusing. Or even somewhat astonishing.
You mean that you can create, from nothing, a new style that looks exactly like a Victorian Worth dress or a 1920s sport coat or one of the dresses or winter coats from a top TV show?
And then you sell it for that little? How is this possible?
Custom patternmaking is the backbone of what we do and we have spent years developing a system that allows us to turn out amazing patterns at a rapid pace.
Because we make so many more patterns than any other business aside from corporate fashion houses, we already know how to create every detail at a snap of the fingers.
Furthermore, we use a system of base patterns that has been shaped by taking thousands of actual measurements and creating thousands of sample garments which we then fit on clients. The result is that we have a better understanding of fit and customer preferences than a freelance patternmaker could hope to achieve.
We call this system TheFrockEngine and over the next year we will be rolling out a large scale new offering to other dressmakers and fashionistas who are hoping to start or perfect their own businesses.
So if you are looking for the perfect patternmaker and the perfect pattern, we can help.
Our computer-assisted patternmaking is truer, cleaner, and based on a better data set than anything that most new designers can afford.
More than this: We have better prices. Because we don’t start from scratch each time, but draw upon thousands of existing and well-tested details, we don’t need to spend hours working out how to make something work, and our prices reflect this.
We combine old-school dressmaking techniques with cutting edge technology and superior data. Making for results that are just right.
We can also grade the patterns into any number of sizes immediately and on site. So if you are looking for a pattern in 5 sizes or 32 sizes, you don’t need to take the pattern elsewhere to have it graded.
So whether you are starting a fashion line or looking to expand your dressmaking business into more daring styles, we can help. Just contact Lianna K. (firstname.lastname@example.org) to find out more.
We are making many wonderful wedding dresses this season, but especially exciting is the dress that I am making for my own wedding.
A.J. and I are getting married this summer and are planning our wedding attire. Right now I am in the process of designing my dress.
If you order a custom wedding dress, I will work with you in much the same way to create a unique dress that reflects your style and inspiration.
Inspiration for a wedding dress can come from all sorts of places.
I have always enjoyed looking through old fashion magazines and studying vintage garments.
The 1876 fashion plate to the left shows the general silhouette and details that I like.
The mid-1870s is a popular period for steampunk wear as you can get very creative with trimmings but the bustle shape is still fairly subtle and flattering.
The red dress pictured is from the Metropolitan Museum of Art’s Costume Institute, an extensive collection worth browsing online.
(And if you find a dress that you love in the MET’s collection, I would love to recreate it for you with some modern touches).
I love the gathering & puffing details on the skirt, the lacing on the back of the dress, and the color.
I knew that I wanted to have a colored dress, and I can’t wait for the fabric swatches I ordered to arrive.
While the Victorian era saw the establishment of the white or ivory wedding dress, many brides at the time wore colored dresses that they would rework and wear again after the wedding (most wedding gowns of the time were high-necked and long-sleeved, so they would serve as day wear once retrimmed).
Silk duppioni is one of my favorite fabrics, and I hope to combine a main dress fabric of greenish gold with accents of vivid blues, violets, and greens.
A.J. and I have also been discussing using our vinyl cutter to create custom heat-transfer flock prints for parts of the dress, to create an effect like the 1900s Worth dress of flocked satin above.
It is amazing how the panels of the dress are cut and sewn to maximize the effect of the print. I was lucky enough to see this dress in person at one of my History of Costume classes held at the Met Museum when I was at Pratt.
For motifs, we are thinking to do something along the lines of an Ernst Haeckel jellyfish or other sea creatures.
Here is the sketch I did based on my ideas above.
The bodice will be fully boned with a lace up back.
I will trim it with tulle and flowers made of some of the accent colors of silk . The panels of the bodice will feature some of placed flock printing towards the waist.
These flowers will also trim the dress in various spots. The bustled overskirt is draped in front and back, and trimmed with tulle. The underskirt will be covered in puffed tulle similar to the 1876 illustration. The dress has a train and will be supported by petticoats and a bustle that I will make. We will also do placed flock printing on the train.
As I select fabrics and begin creating the initial patterns for the dress I can rework the design further.
If you’re as excited about the Victorian era as I am, I’d love to make you a dress as well.
Using our unique muslin fitting process, we can get a great fit on a dress no matter where in the world you live and usually for less money than a dress plus the alteration costs for a factory made dress.
You send us measurements you take at home, and we make a full mock-up of the dress and send this to you to try on before we even cut the fabric.
Then we create a new pattern that is perfectly adjusted for your body, and everything is guaranteed to fit exactly the way you would like.
This means that we can draw from all of the spectacular dresses of the past to get something that is perfect for the present.
We started our custom clothing business a few years ago, and, from the very start, we were faced with the challenge of getting good photographs.
For a business that sells via the internet, photos often make the difference between whether pieces sell or don’t.
But for our business, the challenge is doubly great. Everything we make is made to order, and cut exactly to fit the customer who orders it.
So we rarely have any pieces sitting around and ready to shoot. And even when we do have pieces to shoot, they are often too large or too small to fit a model.
We would finish making a piece and then hang it on a hanger and snap a couple quick pics before shipping the garment out (and most of our photos are of this quality).
But after meeting Annabelle Reboli, an incredible (and enthusiastic) photographer who recently relocated from NYC to the Denver area (just like us!), we were convinced to give professional photography a try.
Annabelle’s resume is amazing. She has done shoots for Bloomingdales, Kenneth Cole, Swatch, Sotheby’s and numerous other brands, so we knew that the pictures would be stunning and glamorous.
But what we didn’t even think about is how deeply her photographs would be filled with mood and atmosphere. The result is a completely new (and dramatic) take on our work that both of us just love.
Enjoy the new photographs and be sure to check out Annabelle’s websites:
We will definitely be recommending her to all of our Denver area clients as the best photographer out there. If you are getting married in Denver or have a fashion project, contact Annabelle Reboli right away.